Tuesday, April 04, 2006

You've Got It All Wrong

MTV News has the scoop on the new album Annie plans to have out by the end of the year:


...throwing herself into madcap sessions with a slew of different producers, including ex-Smashing Pumpkins/ A Perfect Circle guitarist James Iha... She reteamed with British mash-up master Richard X on two songs for the as-yet-untitled new LP, including a cover of Stacy Q's '80s hit "Two of Hearts" and an original called "Remind Me of You."

"The new songs are more club-oriented — still '80s-sounding, but different," Annie said at the recent South by Southwest music conference. "But to be honest, I never really know what things will sound like until I finish the album. I'm sort of in the middle of the album. There's going to be a lot of different people, it's going to be more diverse, but I'm not quite sure which direction the production will go."

After she finishes recording with Iha in New York, she'll team up with French techno producer Alan Braxe (who worked on Stardust's 1998 hit "Music Sounds Better With You") and then some yet-to-be-named collaborators.


: The MTV article also refers to the curious phenomenon of her there's-no-shame-in-bubble-gum style of pop having such appeal to indie rockers. While I think Annie is fantastic, I simply don't understand the appeal to the indie crowd and I am puzzled that her album is still charting at the indie rock dominated college station I used to dj at months and months after it's release. Is it an ironic embrace of all the aesthetic values they once stood for? I'm sincerely confused, but at least it guarantees that Annie's music is distributed in the US.

1 comment:

Maximus said...

I'm mystified by Annie's indie cred also. Her stuff is OK, but there's lots of other great electro-style pop out there that the hipsters turn up their noses at.

My guess is that it's got something to do with a sense of ownership and exclusivity -- Annie is "theirs", until and unless she becomes popular with a wider American audience. Indie kids place vast importance on the whole "underground vs. mainstream" thing. (This is probably one reason why we have this wall between pop and "hip" music that the Brits don't.)