Thursday, October 12, 2006

Music From A Wider Angle

Cinematic electronica superstar's Hybrid have a new album out this week and I Choose Noise finds them balancing the dancefloor filling ways of their sophomore effort with the orchestral vision they prominently displayed on their debut. Well, I've never actually listened to all of either of Hybrid's two previous albums but I gather that is the story. It's just that despite the presence of New Order's Peter Hook on a few tracks of their second album and all the hype surrounding their first record which helped them land an opening spot for Moby when he first toured to support Play I've never felt any real passion for Hybrid's music. They seem to be the sort of folks I would like because they do things that interest me like record trance songs with orchestral accompaniment and drop Pet Shop Boys samples in their remixes (or at least in their remix of BT's "Never Gonna Come Back Down"), but their tracks consistently clock in around the eight minute mark and they never have kept my interest that long. Of course their crowning achievement to date has been getting "Finished Symphony" used as the music for the final segment of SSX, the game that "is still one of the prime reasons for owning a PS2". SSX is something I can get passionate about. Hybrid not so much.

Regardless I Choose Noise is a solid effort that overcomes the presence of Perry Farrell, who may or may not be attempting to channel Madonna at one point in his vocal appearance, so feel free to stream the album for the remainder of the week here and see if it sparks a more passionate response in you.

Sidenote: Two years later when Moby was still touring Play he had New Order and Outkast opening for him. What a difference bringing Gwen Stefani on for a guest vocal and a video appearance can make.

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