Video: Cut Copy "Hearts On Fire"

Cut Copy may have created the hipsters "Where The Streets Have No Name" with their underground hit "Lights & Music" but in Eno terms In Ghost Colours has more in common with the atmosphere and rhythm experiments of Remain In Light than the expansive canvas for tightly written songs heard on The Joshua Tree. Naturally the album's second single does nothing to back up my argument instead attaching their standard modus operandi of refashioned post punk to a melancholic melody while a decidedly 90s Euro synth takes the song into territory only previously explored by Electronic circa Raise The Pressure. One itunes user notes there is "nothing that separates it from 80s electronic music" but that isn't a bad thing speaking instead to the strength of the songwriting.
Clearly aimed at the band's core sophisticated Modular adoring audience the video chronicles a day in life of a complete sop that is perpetually rained on:



: Cut Copy have a myspace and probably have a facebook account too if you are interesting in that sort of thing. The "Hearts On Fire" single is out now and includes remixes from Calvin Harris & Midnight Juggernauts.

Video: Goldfrapp "Caravan Girl"

Goldfrapp's latest single is out in the US today. Seventh Tree's last obvious single choice "Caravan Girl" was tipped as "the Song Of Summer" back in February by XO but the tracklisting for the single is so weak that even some of the bands strongest supporters are left to simply yawn. On the bright side the video is rather nice:



: Recently the band have recently done a highly praised session for NPR with Steve Lillywhite that can be streamed here and announced Fall tour dates that include a few stops in the US. Stop by their myspace for details and sample more of Seventh Tree.

Don't Go

The reunited Yaz play their first US dates this week which must be the driving force behind Alison Moyet's most recent album The Turn getting a belated stateside release today. Here is Alison performing the added to the album after the original release single "A Guy Like You" on The Graham Norton Show:



: Check out an interview from the same show which is quite nice and stop by Yaz's myspace for more from the legendary duo.

Video: Audio Bullys "Gimme That Punk"

Perhaps you remember the narrator in LCD Soundsystem's dissection of musical elitism "Losing My Edge" listing every influential and underground act as their personal discovery. Audio Bullys seem to be under the influence of that track on "Gimme That Punk" announcing their own list of punk acts they demand to hear. This could be a fun track that proves they don't sound like a direct echo of The Streets anymore but there are issues. The lyrics paint such a broad view of "punk" that it encompasses almost every genre of popular music over the past forty years which is liberating in concept but every act named is so mainstream there is no distinct thread to tie the acts together making it simply a list of popular artists. Could it be that they are indeed serious and are taking the opportunity to rebuke the elitism found in LCD Soundsystem's track? It seems more likely that they are simply attaching themselves to some of the most successful names in the music business, everyone from The Beatles to 50 Cent, than attempting any commentary. That is all the more unfortunate given the beats are the least arresting the Bullys have ever dropped in a single.

The video has more punk credibility than the song. The director Don Letts made his first punk rock documentary years before he co-founded Big Audio Dynamite and here he keeps the style direct intercutting a stage performance with archive footage and a Dylan-esque scene of the band record dropping to the lyrics:




: Audio Bullys are at work on their next album. Updates and more from the band are available at their myspace.

Shuffle Blog

Perhaps you have read blog entries where someone talks about the first five songs that come up on itunes shuffle. Sounds like fun...

Pet Shop Boys- Fugitive (Richard X Extended)
I haven't listened to this in some time and it really is fantastic. Really everything you would hope that Richard X would help bring out of the Boys as it is top form sleaze. What a lost opportunity that it didn't find a home on the proper Fundamental instead of being tossed off to bonus track land.

Scissor Sisters- Lovers In The Backseat
Since this song is in the middle of the album I never realized how long and odd the introduction is. Actually the whole song is rather odd but it does deal with voyeurism so what do you expect?

Clinton- People Power In The Disco Hour
Perhaps Cornershop had a bit of pre-millennial tension on the brain when they decided to go from an indie band to a disco outfit. Or maybe Fatboy Slim's hit remix of "Brimful of Asha" inspired the change in direction. While they were never going to be my cup of tea I did enjoy this song even if I couldn't sit through anything else from Clinton.

Cosmicity- Future Song
There are many songs on the underrated modern synthpop act Cosmicity's final album Escape Pod For Two that I like more than this closing track but it does set a mood nicely. It does remind me that I really should post something about Mark Nicholas' post Cosmicity project.

They Might Be Giants- Minimum Wage

This fourty-seven second oddball track really is random, even on TMBG's masterpiece Flood.

Flashback: Prodigy The Fat of the Land (1997)

A short 11 years ago this week Prodigy's The Fat of the Land was unleashed on the world where it unexpectedly debuted as the number one album on the US charts. Dropped by Elektra after Experience failed to live up to major label standards the band had been written off as "kiddie rave" in America before the two pre-release singles "Firestarter" and "Breathe", both of which topped the charts in the UK, started getting attention from alt rock radio and began a bidding war that ended with Prodigy signed to Maverick in the States. I got on board early on picking up "Firestarter" the week it came out as a Mute released 12" single (the song would later be re-released by Maverick on CD single) so it was exciting to see group pick up momentum and acceptance from the alternative scene that had been hijacked by grunge which had effectively silenced the synthesiser in the States.


The controversial opening track weighs heavily in the legacy of Prodigy and the album. The titular sample of a thrown off Kool Keith line taken from Ultramagnetic MC's "Give The Drummer Some" is a major sticking point and while Liam Howlett suggests it is not literal but rather means "doing anything intensely, like being on stage - going for extreme manic energy" using the offending phrase simply makes the song ugly. Following one of the most extreme build ups ever recorded with the suggestion of domestic violence as the payoff is truly foolish and irresponsible. In the years that have passed there have been several attempts to reclaim the song including the oddly controversial video (spoiler: it's not a dude behind all that misogyny) and the Charlie's Angels movies but both take on the basic violent premise of the song's sample rather than deal with "extreme manic energy". The song does have legs and despite limited exposure at the time of it's release it continues to get played on Live 105 and ended up as their top ranking electronica song on a recent listener voted countdown.

"Breathe" is the band's masterstroke as Keith Flint and Maxim Reality spark over an understated Howlett track that does amazing things with an all 16th note bass line. The second pre-release single for the album effectively raised the stakes from the genre bursting "Firestarter" suggesting that Prodigy were more than simple adrenaline junkies and in fact a thinking man's band as well. Time may have proven otherwise.

A decade on "Diesel Power" remains the best electronica/hip hop track ever. Is it the rap? Probably not although Kool Keith would enjoy a renaissance in the late 90s where he would record boasts about the amazing amount of money he was given to work on "Diesel Power". It is the beats that have me reaching to turn up the volume when this comes on time after time.

Howlett sampled the Beastie Boys on this "Funky" track that takes the album down the rave route. Not a favorite by any means but one that sold my former boss on the album after hearing it in a record store.

We reach the low point of the album with "Serial Thrilla" which is a stupid, stupid, stupid song with Keith "my first single went to #1" Flint on screaming vocals. This is what happens when musicians give in to the influence of too much testosterone.

"Mindfields" is the mysterious fourth single from the album that was only released as a "white label" that was one of the most professional and least disguised "unlabeled" pieces of vinyl I've ever encountered. It's a Maxim song in the mode of "Breathe" and while a review mocked the "this is dangerous" line for trying too hard to be scary this was just a decent edit away from being a hit. Also it helped introduce the action movie world to bullet time on the soundtrack to The Matrix.

The Indian influenced "Narayan" brought Kula Shaker's Crispian Mills in for vocals to create mystic synthpop that had run through the big beat blender. There are some great bits but the track's nine minute running time, which in part are a set up for the big hit that follows, helped make it one of the most complained about tracks on the album. Kula Shaker reprised the song as "Song of Love/Narayana" on last year's Strangefolk which doesn't do much to improve the song's reputation.

There was a time when I suggested that "Firestarter" was the new "Smells Like Teen Spirit" as it rocked alternative radio out of it's grunge haze. Perhaps I overstated my case but the song did truly breakdown barriers as it took samples from The Breeders' "S.O.S." and Art Of Noise's "Close (To The Edit)" as it introduced the world to the punk version of Keith Flint. Twisted indeed.

"Climbatize" delayed The Fat Of The Land's release by several months while it was being developed because Liam said it was amazing and told NME that it would be a single for sure. It never was but the instrumental is a highlight that steps back from the hyper masculinity that permeates much of the album.

The album comes to a close with the hard electro rock cover of L7's "Fuel My Fire". Keith handles the vocals on this one with Saffron from Republica adding a nice bit of color as the backup vocalist which make it sound like an angry love song. Interestingly the choice to end with a cover hint at Howlett's limitations as a songwriter which would go to be far more obvious years down the road when Prodigy finally released a new album.

Fat Of The Land was the commercial pinnacle of the Electronica Revolution of 1997 and while the album has it has faults it stands nearly alone in it's mainstream acceptance. One of the reasons "Firestarter" failed to make Prodigy the next Nirvana is that no one could duplicate their sound that combined songwriting with aggressive techno trash. Actually Junkie XL came close and CJ Bolland did a direct riff on the band's sound on a song that is probably better know for it's remix, but no one else could match what Prodigy had at that moment.

Sweet Frosti

Devo are taking legal action over this american idol happy meal toy:



: Gerald Casale, creator of the Energy Dome hats, had this to say

"They didn't ask us anything. Plus, we don't like McDonald's, and we don't like American Idol, so we're doubly offended."

Video: West End Girls "What Have I Done To Deserve This?"

While I'm sure that blogging Swedish fans of the Pet Shop Boys have know this for ages I must pass this along for the benefit for others that the girl group West End Girls are about to launch their second album Shoplifters. The first single finds the Girls, actually one of the original duo was replaced but who is paying close enough attention to notice, taking on "What Have I Done To Deserve This?" with Magnus Carlson of Weeping Willows (the 99'th most successful band in Sweden as if you didn't know) doing the Dusty Springfield bits. Perhaps because it sounds so awfully familiar the song has inspired a post with no words at PSB blog Very and one sentence of nonsense at Popjustice. Can't find too much to say about it myself:



: Stop by their myspace for more on West End Girls and the new album.

Blow A Fuse

As someone who usually ignores flashmobs I have to admit that this is a pretty amazing tribute to one of the greatest music videos of all time:




: The performance took place earlier this month in San Francisco's Union Square and the location and the way some of the video was shot reminds me of the film Francis Ford Coppola made between the first two Godfather installments: The Conversation. Trust me and Netflix it.

Mini Reviews

Some blogs have frequent updates and proper reviews. That couldn't happen here...


Miss Kittin BatBox

Is disappointment of the year too big of a statement? Miss Kittin is one of those artists who could clearly make brilliant pop music anytime she wants but chooses not to out some need for underground integrity. Depending on your perspective this makes her a saint for not selling out or a fool for hiding her talent. The overall sound recalls her First Album with The Hacker but unlike that genre staple there is almost nothing here that draws you in as even promising tracks like "Sunset Strip" never truly develop. In political terms she is simply playing to her base and doing very little to interest anyone else. Even those who gave the album a couple of months to sink in.
Best Bets: "Kittin Is High", "BatBox"


Client Untitled Remix


While remixes from the four singles taken from last year's lacking Heartland are found here the real selling point of Client's Untitled Remix album are the band's collaborations with other artists. Both "Suicide Sister", their cheery duet with Douglas McCarthy, and their venture into house-gone-electropop "Sorry" with Mexican band Réplica are miles better than 95% of Heartland which suggests to me that Client need to rethink their track selection process when releasing proper albums. The remixes are mostly from parties with less than four discogs credits to their names and unfortunately it shows with only three or so interesting remixes in the set.
Best Bets: "Suicide Sister", "Sorry", "Zerox (N Joi Radio Edit)"

Chemical Brothers B-Sides Volume 1


When this turned up on itunes I knew that Astralwerks had given up on We Are The Night which is shame because it is much better than it has generally been written off to be. While a b-side collection is not entirely unwelcome the Chemicals can be a bit hit and miss as they often use alternate versions of album tracks to pad out singles. If you've been missing the straight dance tracks from the recent albums there is plenty to keep your interest with the subtle acid of "Nude Night", the rumble of "Base 6" and the thundering hip hop jam "Prescription Beats" almost making up for unlistenable experiments like "Scale". Even some of the alternate takes fascinate as we learn "Snooprah", which appears as the brief ambient interlude "Harpoons" on We Are..., also has a secret life as a seven minute dance track complete with disco sirens. The biggest problem here is the Volume 1 thing which keeps the Brothers best b-side, the amazing "Hot Acid Rhythm 1", off the compilation. Check that one out: found on the "It Began In Afrika" single it's well worth the 99 cents.
Best Bets: "Hot Acid Rhythm 1"(well obviously not on the album but if you're only getting one get this track), "Prescription Beats", "Base 6"

Video: The Orb "Vuja De"

Those adventurous enough to scour the deepest darkest depths of the new releases on itunes already know of the unlikely return of The Orb. Despite being completely off my radar since buying their greatest hits album back in 1998 it appears that Alex Paterson and friends have kept up an ambitious schedule, given the project's original goal was to get people to stop dancing at the end of raves, releasing four studio albums in the 2000s including one of the most annoyingly named albums of all time: Okie Dokie It's the Orb on Kompakt. Melding the band's original vibe with what could be called a proper pop song "Vuja De" is something of revelation. Let's give it a listen:



: The single is taken from album The Dream which is due out shortly in the US and appears to have been put out sometime last year in the UK. Considered a return to their original sound by a wikipedia entry the album features such artists as Youth, Steve Hillage and a guy from Dreadzone. Listen to a few tracks for yourself at their myspace to hear why it received a positive review from nme.

Nobody Loves Me

Using Amazon's download store exposes you to what happens on their music forums and this thread title caught my eye: help!!! - I have been trying for over a year to find this song!!! 1994-95 they played it in clubs alot but I also heard it on the radio I think... starts out slow w/bass guitar notes that get lower "dun dundun dundun dundun dun" and then there... : naturally I had to read the post:

is a female's voice and this is where I get stuck!!! She sounds like she is in pain or something and the chorus has three words - something like I need you or I want you or You Kill Me or something desperate... I really want this song and don't know where to look!!! Know it's not much info to go on but can anyone help???

: Let's examine the clues. Is there anything that would lead you to guess this as the correct song this person was looking for? Amazingly the first person to guess got it right! That almost makes up for the four guesses after the song's identity had been confirmed.

Flashback: Pet Shop Boys "Discoteca (Trouser Enthusiasts Adventures Beyond The Stellar Empire Mix)" (1996)

A kind youtuber uploaded one of my favorite Pet Shop Boys remixes, one that always got me calls when I played it on my college radio show, with a video that reads suspiciously like a blog entry. Let's take a look and have a listen:



: Trouser Enthusiasts only lasted a couple of years but left behind a discography that included many remixes and the single "Sweet Release". Both Ian Masterson and David Green continue to create music but as Masterson notes on his blog "you'd think I'd be a lot wealthier than I am" given the artists they have worked with. Oddly enough the duo's other big moment came under their alias Flexifinger when they traded off production on Dannii Minogue's 1997 album Girl with another young production team Xenomania. Can you guess which one of the teams was just announced as the producers of the Pet Shop Boys next album?

Pedestal

Portishead are one of the few bands that have fundamentally changed the way I listen to music so I celebrate the release of their new album Third. Since we last heard from them there has been a decided shift in the sound of the band and rather than simply ask "where did the tunes go?" I am going to hold off on any real comment until I have had time to absorb the album and decipher what it all means. I'll meet them on their terms and since it took over ten years for the band to deliver a new album I pledge to opine within the next five years.

Head On The Door

As Metallica headlines KROQ's summer concert I am reminded that there is nothing alternative about alternative rock radio in 2008. While KROQ didn't invent the Modern Rock format Spinner notes that "the station shunned the band for years in favor of alternative bands like Depeche Mode, U2 and the Cure" marking an end of an era. Exactly when that era ended is up to debate, some might argue that was when Metallica headlined Lollapalooza in 1996 almost killing off the travelling festival, but KROQ's reputation and the way it's playlist is shamelessly copied by other alternative stations across the country give this moment a sting.
In the Bay Area we have Live 105 which has had it's own flavor and they downsized their summer concert this year dropping ticket prices to $10.50 (see what they did there?). If they didn't play Red Hot Chili Peppers every hour on the hour I might still listen to the radio.

Video: Bjork "Wanderlust"

Quote Of The Week (thank you Matt)

"If you are loving what Bjork has been doing the past decade this is a single that won't disappoint":

Amazing News Alert

Ladytron's new album Velocifero is streaming at their myspace before you can even buy the first single. Be sure to catch a free download of teaser track "Black Cat" and look for the album out on June 3rd in the US.

Don't Believe The Hype

Anyone catch the Rolling Stone review that argues Accelerate is "one of the best records R.E.M. have ever made"? Bill Wyman wrote an interesting piece that gets to the root of why many musically minded people have tuned out reviews from the rock establishment's publication of choice. Using that statement as a jumping off point Wyman goes through the past decade or so of the magazine's REM album reviews and discovers that as far back as Up, the album where the public first demonstrated they had lost interest in the band, each release has been praised by Rolling Stone as an improvement on their recent output. Different writers opine on each album but the similarity is striking giving the impression that there is a standard "late period REM album" review expected by the editorial staff. While the uniformity of sentiment may simply come from the shortcomings that come with deadlines and the lack of time to differentiate "sort of sounds like that album that was really good" from "where did the memorable songs go" I suspect the source of this groupthink comes from the canonical glow cast over all of REM's work by their couple of albums that are considered among the pinnacles of the American underground rock movement and their implied effect on the musical landscape on the 1990s. Given that even Peter Buck has called some of that praised material the work of "old, miserable has-beens" suggests the critical elite needs a more distanced eye when it comes judging others who also can do no wrong.

Video: Goldfrapp "Happiness"

The second single from Goldfrapp's Seventh Tree is due shortly and the energetic video has been unleashed to the web. Teaming up again with "A&E" director Dougal Wilson the continuous shot video finds Alison in a series of cameos as we focus on a fellow who clearly has too much happiness to contain as he leaps around an increasingly bouncy neighborhood:



: Promotion of Seventh Tree is starting to pick up as Goldfrapp are beginning to tour. They have three US dates scheduled later this month (although if you won't be near Coachella, San Francisco or New York you're out of luck) and are scheduled to play on The Tonight Show on April 22. Stop by their myspace for single details and click here to hear the rejected Rex The Dog mix of "Happiness",

Video: Pet Shop Boys "Integral"

Releasing "Integral" as a single should have been such a great way to close out the Pet Shop Boys celebrated Fundamental era. The most overtly political song the Boys have ever written has been championed as a favorite ever since Popjustice published the album's first review. The combination of catchy and decidedly "up" dance music with lyrics that address the UK's adoption of mandatory identity cards creates a chilling effect demonstrating "what fascistic power sounds like, and in doing so reminds us of why it must be avoided". However, when Disco 4 generated the single release of "Integral" what the general public heard was not the amazing album version but a remixed version of the song that takes a direct route in musically interpreting the evils suggested in the lyrics. While pleasant enough as an extra track the "Immaculate" mix of the song has no business pretending to be the "single" version as it truly takes the wind out of the sails of the song leaving those who haven't the original scratching their heads and wondering what the fuss was about. What a wasted opportunity for the Boys to demonstrate why they are still relevant and creating compelling contemporary music.

That being said the video is fantastic. Actually there are several versions of the video, including some designed to be watched on youtube and on cell phones, but the main video is something special. A white card shows us the world as the song's narrator sees it, pixels containing bits of information, as we visit some of the busiest hubs of London by way of time-lapse photography. Suggesting the rapid pace at which technology and authorities can identify individuals even in massive crowds it finds a good visual representation of what privacy advocates struggle to express. The room of smiling Petheads posing with digital identities as the song proclaims "If you've done nothing wrong you've got nothing to fear/If you've something to hide you shouldn't even be here" is particularly effective reinforcing the rapturous tone of the original that suggests people are willingly giving up the fundamental freedoms of democracy in the name of the war on terror:



: The block images that feature in the video form a type of barcode that must be in greater use in the UK than the US and can be scanned with cell phones that link you to a number of sites that address issues in the song. My research indicates the band made the images available to download as a pdf so fans can create their own videos but this probably requires a copy of Disco 4 in your disc drive and visiting http://www.petshopboys.co.uk/integral but it has never worked for me. There are only a few fan videos on youtube which might mean that I'm not alone in my confusion. Still much respect to the Boys for trying out new ideas on a song that deserves a mass audience.